Columbiana

Don’t waste your time seeing this film.  It is straight to DVD quality.  I kept waiting for Dolph Lungren to jump out.  If are curious, wait for redbox.

Someone does deserve an award for the Columbiana trailer.  The trailer gets your blood moving.

And I saw this film under a false assumption.  I thought Luc Besson directed it.  He does not, he has a co-writer credit on the screenplay.  And I’m pretty sure this might be the worst film he’s been associated with, hold on let me research it a bit.  No, that would be Hitman.  But still, it’s not good.

The story is familiar ground for the man, a young girl’s family is killed in front of her (difficult to generate sympathy as her father was a killer for hire).  She finds relatives (who are in the murder business in the American Midwest) and she begins to train for revenge.

There is potential in the film, Zoe Salanda is a talented actress and she deserves to be a headliner, and there’s a very solid scene where she gains access to a police station to kill a prisoner by fabricating a very funny DUI.  Cliff Curtis, who plays her uncle, has a pretty good scene where he convinces Zoe that she needs to go to school if she wants to kill anyone.  But those are the only parts worth anyone’s time, and they amount to 12 minutes of the movie.

You hear the name Luc Besson, and you’re thinking of The Professional and Taken and you’re all pumped, and nothing.  The action is all boring and any innovation in the plot is foreshadowed to death and there are no suprises.  And while Zoe is gifted and very hot; those things a movie do not make.

Like I said, don’t waste your time.

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Conan the Barbarian Redux

Ok, so I saw this movie.  And afterwards I find myself asking, in the immortal words of William Hurt, “How do you fuck that up?”

First some background:

Conan the Barbarian is a “pulp” character created in the 30’s by Robert E. Howard.  His tales were usually told in short story format with the occasional novel length story popping up.  The setting is an ancient world with medievalish technology and lots of giant monsters and warlocks and the like (your basic fantasy setup).  Conan is from a mountain tribe who dwells in a vaguely Teutonic forest.  He is supposed to represent the raw force of man before he was civilized.  Nobody really goes into Cimmeria (the forresty hills) because the tribesmen will kill you; and the Cimmerians rarely leave their homeland.

Conan is a Cimmerian who is unusually interested in the outside world.  He leaves Cimmeria as a young adult in search of adventure.  His people’s natural bloodthirstyness has gifted him with (to a civilized eye) near indomitable fighting abilities (he claims that among his own tribe he is at best a middling warrior).  His adventures take him down many career paths.  He has been a thief, a mercenary, a pirate, a general, and a king.  In his long life he has been some of these things many times.

After Robert E Howard’s death, several others have written Conan stories.  Ignore these.  They are watered down diet soda.

The first Conan tale, The Phoenix on the Sword, tells of a story of a late-middle aged Conan who has become a king.  The story is of an attempted coup.  Several men plan an ambush in the palace akin to the one that felled Julius Caesar.  Conan, despite suffering injury, survives by tearing a decorative axe from the wall and maiming most of his attackers.  The survivors he flings from his balcony to the adulation of his subjects.  The most interesting Conan stories take place while he is king.  So of course they’ve never been used in a movie.

Conan in this movie is played by Jason Momoa (Game of Thrones).  He plays a very similar character in Game of Thrones on HBO; Khal Drogo.  He is great at Khal Drogo.  The problem is the film’s Conan is nothing like Khal Drogo and therefore nothing like Conan.  Early in the film we see Conan raiding a slave trade outpost because “no man should live in chains”.  Robert E Howard’s Conan owned slaves on several occasions.  He would have no patience with those who allowed themselves to become enslaved.  He would only have raided the slave outpost for profit.

The desire to make Conan a sympathetic character is the film’s first failing.  He’s not a sympathetic character.  His morality is that of a jungle cat.  If he saves the damsel in distress it is because he has been promised money or her virtue.  When he is king he rules with his subjects’ interests in mind because he deems it a superior long term tactic to tyranny.  Conan is an anti-hero.  If he’s on the side of right and virtue it is because they have something he wants, or because the bad guys have betrayed him.

So the film fails on that very basic item.  It is not a Conan film.

And next, even if they were faithful to the spirit the stories; the movie would still suck.  What’s at stake isn’t ever clear.  Characters are not given motivation to actually do anything.  And the evil relic that all the good guys are trying to keep from being reassembled doesn’t actually do anything.  Or else it didn’t come with an instruction manual.

And all this is a shame because they clearly had a special effects budget and a decent (not amazing, not good, but decent) cast.  The special effects were highly unimaginative and the cast was given nothing meaningful to do.

You can skip this movie.  I recommend picking up a collection of Conan tales.  Make sure they were written by Robert E Howard; there are many posers.

If you do feel you need to see this film; don’t see it in 3-D.

3-D is retarded.

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Rise of the Planet of the Apes

In the garden.  In the Valley.  Of the Jolly Green Giant.  And other prepositional phrases.

I’m not an especially big fan of the Planet of the Apes franchise.  I’ll grant the original with Chuck Heston was fairly good sci-fi with a solid Hitchcock ending.  But nothing other than the ending really aged well.  I saw the next two and part of the 4th when I was a kid.  I thought they were kind of dumb then (but what did I know, I liked King Kong vs Godzilla).  I thought Tim Burton’s take was silly.  Timbo is a great one for visuals, but I’m thinking that his few actual successes have been more accidental than anything.  He has released fine work but he also allowed Johnny Depp to be clowned by Gene Wilder.  A director with a better eye for story would have easily dominated the old Chocolate Factory movie with a combination of Depp and modern special effects.  But not Burton.  His Planet of the Apes remake was the same as most of the times he’s fallen flat: it looked good but there was nothing there.  Though in fairness, I ought to mention the actors portraying the apes were quite good but their dedication was just another wasted advantage.

So really, in my mind there isn’t a high bar for these movies.

The first thing to mention about the new entry is the special effects.  They are amazing and understated.  None of the apes are actual apes, they are a combination of animation and motion capture technology.  WETA (SFX company used in Lord of the Rings and Avatar) has developed a way to use motion capture technology without a green screen.  This is what allows the effects to be understated and fairly photo-realistic.  So very early in the film you completely forget that the apes are animated because its simply not noticeable.

The next thing to mention is this is not a war between apes and people movie.  That’s what the previews would suggest, but that’s not what the movie is about.  If I were to describe it in terms of movies I’ve seen; I’d say it’s equal parts Harry and the Hendersons, Outbreak, and Escape from Alcatraz.  The ape characters are highly sympathetic and you’ll find yourself rooting for them very quickly.

Caesar, the main character, is a chimpanzee whose mother took an experimental retro-virus designed to combat the effects of Alzheimer’s.  He inherited the virus from her and an unforeseen side effect is the virus boosts brain cell creation.  So Caesar has mental capacity that can potentially surpass a human.  James Franco (only slightly less ludicrously cast as a scientist than Elisabeth Shue in The Saint) raises Caesar in his home and observes his progress safely until there is a misunderstanding with a neighbor and Caesar assaults said neighbor.  This causes Caesar to be sent to an ape sanctuary pending a legal decision.

This is the first time Caesar has been exposed to normal apes and the experience is traumatic.  And very creatively stimulating.  He begins to ask himself some tough questions about the world and comes up with some very interesting solutions.

This is probably the best summer movie so far.  I liked it better than anything Marvel put out and I’m 95% sure it’s better than Cowboys and Aliens.  Still haven’t seen that one.  Still liking that decision.

Don’t bother seeing Rise of the Planet of the Apes in 3-D.

3-D is retarded.

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Weekend preview

First I need to say something: I hear people asking why they didn’t call Cowboys and Aliens Cowboys vs Aliens.  They didn’t because nobody played Cowboys vs Indians.  It’s a play on words assholes.  Apparently people are now too dumb for a clever title.

Ok, that’s out of the way.

I should mention that I am not going to see this movie.  I’ve seen pretty much the whole thing because every time I see a movie there was a fornicating Cowboys and Aliens trailer.  And the trailers explain the entirety of the plot and leave nothing left for me to see the movie for story wise.  I hate overdone advertising.  Hate it.

I will however see Rise of the Planet of the Apes.  (is that really the title?)  While its a shitty title, this film had previews that have made me interested in a Planet of the Apesish movie for the first time in…  ever.

I would also see Life in a Day; but the assholes didn’t open in my town yet.

Same with Attack the Block.

Oh well.  One day…

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TV Rant 2

What in the hell is up with Entourage?  This season’s new storyline with Ari’s wife is the dumbest thing anyone ever got a writing credit for, ever.  If you’ve never seen the show, for the love of god don’t start now.

Also, True Blood is starting to turn shitty as well.  To be fair, last season was shitty.  But everyone’s been waiting for Eric and Sookie to bone and when they finally do its like the sex scene from Excalibur: Boring as all hell.

Curb your Enthusiasm is still good.

So far this wolverine anime on G4 is pretty good.  We’ll see, I’m only 3 episodes in.

I need more parks and rec.

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Capt America

Patriotism is difficult to portray in this day and age.  Especially in America.  It’s not so much that people hate America or hate being American (lots of people do but that’s always going to happen so its not relevant).  It may be that nobody’s done anything that all of America can get pissed off about in awhile (like bomb Hawaii or fly an airplane into the New York skyline).  But these days, even when someone unites us in indignation, there’s a different feel.  It seems like everyone is all part of a sub group and that’s what they identify themselves with that instead.  They’re not American, they’re liberal or conservative or libertarian or progressive.  So every reaction is tempered by these group’s respective agendas.  When dickheads stole planes and flew them at the world trade center, we were temporarily reunited as one America by our indignation and horror.  But soon, we divided along ideological lines and started quibbling about nothing.  Which can be a little disheartening but when you think about it, that’s the beauty of this place.  We are all different, we are mostly assholes, and we are all here.  In short we all deserve each other.  The character Captain America in all his unfashionable, blatant patriotism is actually the perfect modern day hero for a movie.  That’s because the main theme behind him is actually something that spans all the divisive bickering groups that inhabit our asshole melting pot.  The message is: Quit your bitching and help someone.  That’s something we all need to hear.

Steve Rodgers (the titular Capt) isn’t allowed to help anyone.  He’s a loudmouthed idealist who is heartbroken that he is 4F (ineligible for military service) during WW2.  He’s determined and selfless and all he wants to do is help, but he’s almost a midget and has a long list of physical ailments that make his options limited.  However an enterprising scientist (Stanley Tucci) notices that Steve wishes he were more powerful, but only so he could be of more help.  Stanley invites Steve to volunteer for an experiment designed to create a super-soldier.  In his native Germany, Stanley had previously tried this experiment on an elite soldier (Hugo Weaving) and was horrified by the results.  Stanley believes his technique must only be used on the selfless as the power will corrupt anyone else.  And Steve is most certainly (and believably thanks to the great job by Chris Evans) selfless.

I’m not particularly a Capt America fan.  I usually find the Avengers kind of stupid (though I enjoyed the Ultimates).  I think this film was excellent.  Especially considering how easy it is for this character to come off as hokey or lame.  Hugo Weaving might have the best German accent I’ve ever heard from a non-native speaker.  Hayley Atwell plays a British operative.  There have been a bunch of effective portrayals of female soldiers in film; but I’ve never seen a better ”boy, I will break your damn jaw” look from any of them.  Hayley has it down.  Tommy Lee Jones plays Tommy Lee Jones (which is always a treat).  The tie-ins to the other marvel properties don’t feel forced and are actually pretty cool.  Oh and stay after the credits for an Avengers trailer.  Oh and don’t see it in 3-D.  3-D is pointless and stupid.

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Horrible Bosses

This will not be a long post.  This is a light comedy.  If you liked the previews you will like the movie.  There are no surprises other than how filthy Jamie Foxx’s character is.  Colin Farrel’s character is gloriously filthy as well, but that’s all in the preview.

Oh and don’t read any reviews from the Boston Globe.  Whoever writes for them did the most asinine review I think I’ve ever read.  They were offended by the racial stereotypes in the movie.  Let that sink in.  Someone who writes movie reviews for money was offended by a stereotype in a comedy.  Sweet tit fucking Buddah.  I’m going to write a review where I’m offended by all the intercourse in a porn.

But anyway, a bunch of guys agree to kill each other’s bosses because it sounds like a good idea at the time; and hilarity ensues.  The bosses are wonderfully overcast and the film is funny.  But, if you thought the preview was stupid don’t see the movie.  The movie is the preview, just longer and dirtier.

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The Last Harry Potter Ever

Here’s the thing.  I know in my brain that it makes no sense to consider the source material when watching a film adapted from a book.  A film and a novel cannot be compared to each other with any degree of usefulness because a film’s faithfulness to its source has exactly nothing to do with whether or not the movie is good.  There have been films that completely suck that were very faithful to the novel on which they were based.  So ranking a movie based on faithfulness to its source is pretty useless.

So I will attempt to talk about the last Harry Potter film without talking about its source.  I will fail, but I will make the attempt.

My most basic issue with the movie is that it does not follow the rules of its own universe.  One of the tenants of telling a story with supernatural elements is consistency.  You craft a universe with different rules than our own, but you have to remember the rules you come up with.  You can’t ignore or change them as it suits.  That’s bad writing.  The Harry Potter films aren’t any better than any other shitty big budget summer movie in this regard.  The kids (almost grown ups) are in several situations that could be solved by shit they’ve already learned in wizard school but don’t employ for dramatic purposes.  Bad writing.  (this is the movie, the books were adamant about sticking to the rules of their created universe)

So that really spoils the whole experience for me.  I don’t go to wizard school so they ought to be better at thinking of this shit than I am.

The next thing is that the films make fantasy ass boring.  This latest movie is a giant war between good guys and bad guys and giants and monsters and giant spiders and dragons and explosions and…yawn.  Somehow they make it about as interesting as the DMV.

Now, what’s good about this movie: the actors.  All the actors are awesome.  Even the goblins and what not.  (Here’s where I fail) The actors were so good I wish they’d been given a chance to play the characters in the books.  That would have been really cool.  Just one example of the difference: Fred and George aren’t pussies in the books.  There’s more but that’s an important one.

So unless you’re a flaming Potter fan, go ahead and ignore this movie.

Nothing special.

If the subject interests you, you might pick up the books.  There’s actual people in the books and halfway decent writing.

If you do see this film, do not go see it in 3-D.

3-D is retarded.

It was retarded in 1953, and it’s retarded now.

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TV Rant

Well, what’s good and what’s shitty on television these days?

AMC -There’s a new season of Breaking Bad coming soon.  This is a show that started out merely ok, but has improved with every episode.  If you haven’t seen it, a chemist/high school chemistry teacher begins cooking meth to support his family after he is diagnosed with cancer.  However, the intellectual challenge of criminal behavior becomes highly addictive and he keeps going after his cancer is (in effect) cured.  The most recent season (3) ended with a cliffhanger of epic proportions and it seems like each episode is better than the one before it.  They’ve also got a 2nd season of The Killing coming.  The Killing is a quasi-remake of the Danish series of the same name.  The American version is actually superior in terms of pace (however the original version [which is not a bad show] has a dedicated fan base of utter snobs) and acting.  Really the only thing the 2 series have in common is their basic premise, which is the brutal murder of a young girl in circumstances that affect their city’s core political structure.  Mireille Enos (Big Love) is quietly awesome as the lead detective and her douche partner (Joel Kinnamen) actually won me over as a character.  Now this is a police show in a post-Wire world so I’d be inclined to dismiss it; but the slow burn story telling style is addictive.  A bunch of critics bitched about the ending to season 1, but after watching the first season I’ve concluded that they’re all whiney cocksuckers.  This is a show to watch.  There’s also a western in AMC’s pipeline that’s somehow centered around the construction of the trans-continental railroad (Hell on Wheels) which sounds interesting.  And we’ve got more Walking Dead to look forward to.  Mad Men is coming but it’ll be awhile.  AMC is really HBO’s only competition as far as serious TV goes.  Right now you’ve got 2 quality crime/cop shows, a quality horror pastiche, and Mad Men which doesn’t really have a genre unless you go really broad and term it ensemble drama.

FX – I don’t recommend much on FX as need to see, but they now have 2 shows that qualify.  Justified (once again a post-wire cop show but not without its charm) follows the adventures of an Elmore Leonard character and Federal Marshall Raylan Givens.  Margo Martindale plays one of the better TV antagonists ever in the 2nd season.  And Archer.  I’m not even going to explain Archer, just see it.  It’s required.  Always Sunny in Philadelphia gets an honorable mention.

The rest of basic cable – mostly reality TV crap that ought to be avoided.  I’ll post an update if I find out different.

Broadcast Networks – I really only watch The Office, Parks and Rec and sports on these channels.  I hear James Spader will be joining the regular cast of The Office as manager for part of the season, but not the whole thing.  So the manager search will probably rear its head again; which is good, I really enjoyed it.  And Parks and Rec is brilliant.  I wonder if the trend of Lesley Knope’s boyfriends getting canned from the show will continue.  Time will tell.  But don’t subject yourself to the rest of the programming on these networks.  Seriously.

HBO – Thank Brigham Young that Big Love is finally over.  Good Lord, that show was stupid.  But not as stupid as I was for watching the whole thing.  I kept thinking, there’s going to be a point to all this eventually.  But nope.  Game of Thrones just finished its first season, and that’s definitely a must watch.  It’s like Gordon Gekko Tolkein.  And it works.  Also, its just begun shooting its second season.  True Blood just started up again.  I thought the 3rd season was pretty crappy and I only tuned in for the 4th for Oscar winner nudity, but the 4th season has me ensnared again.  I’d never rank this show higher than guilty pleasure but it has me for the time being.  The excellent Boardwalk Empire has a new season on the way.  I’m a huge fan of this mob show.  Treme is one of the better shows on TV right now, and in true Dave Simon tradition, there’s never been anything else like it.  Michael Mann (Heat, Last of the Mohicans) and David Millich (Deadwood) have a horse racing series in development which ought to be worth checking out, LuckEntourage will finally die (though I’ve enjoyed the show on a guilty pleasure level) but the last season should be fun.  Curb Your Enthusiasm will also get at least one more season.  The show is sometimes too painful to watch but it’s undeniably quality.  I’ve also heard they’re developing a mini-series based on Neil Gaiman’s American Gods.  Ought to be strange.  This network is 50/50 on comedy but as far as drama any new show deserves a look.  The only issue I have with them is canceling shows before their time: Carnivale, Deadwood, John from Cincinatti.

Cartoon Network – A couple things here: first they cancled their best new non adult swim show in years with Sym-bionic Titan.  After one season.  Without any story resolution.  Assholes.  And after 2 very solid seasons and opening their 3rd season with a bang, Clone Wars has somehow managed to become really really stupid.  But the amazing Venture Bros is returning and the rest of adult swim is pretty solid.

Showtime – Don’t bother.  And yes I’ve seen Dexter and Weeds.  Still don’t bother.

And that’s my incomplete and biased summary.

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Transformers et al

I enjoyed Michael Bay’s first Transfomers movie.  People wanted to say it sucks, and while there’s an argument to be made for its suckage (and for the suckage of his films in general); I’d say most of those comments take the film outside its proper context.  Its irresponsible to compare a Transformers movie to Inception or District 9 or Men in Black because they’re sci-fi.  It’s not really even appropriate to compare it to other movies about fighting evil robots like Terminator 4: The SuckeningTransformers is a live action film about a Saturday morning cartoon from the 80’s and its related line of toys.  In rating it, a more honest comparison would be against Masters of the Universe or the Power Rangers Movie.

Compared thusly it stacks up rather well.  But, people like to tear shit down (it’s fun) so they go after the easy targets.  And While I maintain that Michael Bay is a Special Effects guy who really has no business as an overall director, he’s more suited to the task than George Lucas.  Despite my initial concern, Bay won me over before the first film’s release with an interview he gave explaining why Optimus Prime would not appear as the iconic cab over semi from the original cartoon and comic book line.  When his effects team was engineering the transformation he found that a cab over only netted 15 or so feet of robot.  He wanted Optimus Prime to be taller than that, hence the larger truck.  While this may or may not have been true; that was the way to answer that question.

But anyway, in the first movie I found Shia and family hilarious, Megan Fox hot, and the action suitable.  The fight between Megatron and Optimus Prime is better in the animated film from 1986, but Optimus murdering Bonecrusher beneath the overpass was suitably gristly.  I found the backstory stupid, a good piece of the transformers’ dialogue lame, and about half the human cast a waste of time.  However the other half (surprisingly) wasn’t half bad.  But in pros vs cons, the pros scored a solid win.

The basic issue with the backstory was excessively compounded in the 2nd movie.  Here’s the problem: whatever reasons you come up with for living robot aliens who transform in to cars and trucks fighting a war on earth is going to be retarded.  The reason it’s going to be retarded is because of the 8th through 22nd words of the previous sentence.  There is no way to have an exhaustive explanation of implausible, idiotic silliness that is even remotely compelling.  Therefore: keep the backstory simple and keep it vague.  Only explain what we need to know.  And all we need to know is there are giant space robots fighting a civil war.  They can disguise themselves as shit we have on earth (like cars and trucks).  They do it because earth is strategically significant.  Why Earth is significant should be kept to 3 or 4 words.  And that’s it.  We never need to refer to the past ever again.

Trying to tell a dumbass backstory is half the reason the 2nd transformers movie was a step backwards.  The other half was Michael Bay can’t fuck gently or slowly.  He crammed as much robo shit as possible in every shot he could and made it all move fast as all hell.  The overcrowding of the action shots made them boring because we weren’t given time to appreciate what was taking place, let alone enjoy it.  Also, some of the humor was bordering on too stupid for the genre (and that is a low bar).  However, the robot balls, negro-stereotype midget cars, and Bay’s jackhammer^3 bedside manner didn’t bother me near as much as all the screentime devoted to the absurd backstory.  I’m not going to get into the inane particulars but I was not a fan of the 2nd movie.

So, with its first portion devoted to yet more backstory, the 3rd Transformers didn’t start particularly well.  And not only does this happen, but the new stupid backstory negates the previous 2 films stupid continuity.

But whatever, I’m here to see robots fight.  And I get plenty of that.  And Mike has apparently learned to vary the jackhammer^3 with some slow and deep and a little 20 and 5 style, so my brain was more expertly fucked during the action scenes.  And besides being more fluid, the robot on robot action is just better.  It’s mostly of the Optimus vs Bonecrusher level of visceral which was nice.

This movie is also the funniest by far.  Ken Jeong (Community) is fantastic.  Shia himself has nailed what is funny about his character.  There are at least 2 parts in the film (one with Ken and the other with Shia) that I laughed my complete ass off.

There’s the usual Mike Bay transition problems between action scenes but the scenes themselves are interesting enough that you find yourself not caring.

While there’s plenty of stupid shit in this movie, I liked it.  But I’m a sucker for giant robots fighting.  It’s better than the first one and waaaay better than the 2nd one.  Just don’t think too much about the why of any of it and you should be good.

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